Part 1 Prado museum – Gentileschi, Artemisa -- Nacimiento de San Juan Bautista
1634, 184 cm x 258 cm, Lienzo, Óleo.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
A woman, draped in white fabric with blue accents, holds the baby over a basin filled with water. Her expression is one of intense concentration, almost reverence, as she leans forward. A man seated beside her, adorned in patterned clothing, observes the scene with an air of solemnity and perhaps paternal concern. Another figure, positioned closer to him, seems to be actively participating in the ritual, their hand gesturing towards the infant.
To the left, a bearded older man stands apart, holding what appears to be a writing instrument. He is distanced from the central action, his gaze directed downwards as if contemplating something beyond the immediate event. Behind this figure, several other individuals are visible, some appearing to observe with curiosity, others seemingly absorbed in their own thoughts. Their presence contributes to the sense of a larger community witnessing or participating in this significant moment.
The architectural setting is notable. A window opening onto a landscape provides a source of light and visual contrast. The view beyond reveals a distant vista, hinting at a connection between the interior space and the wider world. This juxtaposition of enclosed intimacy and expansive openness adds depth to the scenes meaning.
The use of chiaroscuro – the dramatic interplay of light and shadow – is particularly striking. It intensifies the emotional impact of the figures and directs attention to key elements within the composition. The darkness that envelops much of the background creates a sense of mystery and underscores the significance of the central event.
Subtleties in gesture and expression suggest layers of meaning beyond the surface narrative. The older man’s detached posture, for example, could be interpreted as representing wisdom or perhaps a critical perspective on the events unfolding before him. The varied expressions among the observing figures hint at differing interpretations of the rituals significance within the community. Overall, the painting conveys a sense of solemnity and reverence, inviting contemplation about themes of faith, tradition, and human connection.