Part 1 Prado museum – Barocci, Federico -- El Nacimiento
1597, 134 cm x 105 cm, Lienzo, Óleo. Federico Barocci
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To the left of the central figure stands an older man with a long beard, his hand also extended in a similar direction. He is partially illuminated by the same light source, suggesting a connection between him and the woman regarding their shared gaze towards the infant. Further back, within what appears to be a doorway or opening, another individual can be discerned, adding depth to the scene.
The stable itself is sparsely furnished; straw is scattered across the floor, and a dark animal – likely an ox – stands sentinel beside the trough. A small basket sits near the foreground, containing what seems to be linen cloth. The overall impression is one of poverty and simplicity, emphasizing the humble circumstances surrounding the birth event.
The artist’s use of color contributes significantly to the paintings emotional impact. The woman’s garments are rendered in soft pinks and yellows, contrasting with the darker tones of the stable and the man’s attire. This contrast further emphasizes her importance within the narrative.
Subtleties in the composition suggest a layered meaning beyond the immediate depiction. The gesture of pointing, repeated by both figures, implies revelation or recognition. It suggests that they are not merely observing but actively acknowledging something significant about the infants identity or destiny. The darkness enveloping much of the scene could symbolize mystery and the unknown future associated with this birth. The presence of the ox, a traditional symbol of strength and sacrifice, reinforces the solemnity of the moment. Ultimately, the painting conveys a sense of reverence and wonder surrounding an event shrouded in both humility and profound significance.