Part 1 Prado museum – Maíno, Fray Juan Bautista -- Pentecostés
1612 1614, 285 cm x 163 cm, Lienzo, Óleo.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist has employed a palette dominated by warm tones – yellows, ochres, and browns – which contribute to an atmosphere of solemnity and reverence. The figures’ drapery is rendered with considerable attention to detail, utilizing folds and shadows to suggest volume and movement. A sense of dynamism pervades the group; some lean forward in anticipation, others raise their hands in gestures of supplication or astonishment.
A central figure, distinguished by a blue garment, appears to be actively participating in the event, her expression mirroring that of awe and wonder. To her right, another man is seated, writing intently in a large open book. A key lies discarded on the floor near his feet, an element which introduces a symbolic layer to the scene.
The light source, concentrated around the dove, creates a powerful visual focus, drawing the viewer’s attention to this central motif. The dove itself is depicted with meticulous detail, its feathers rendered with delicate precision. It appears not merely as a physical presence but as an embodiment of divine grace and spiritual descent.
Beyond the immediate depiction of a religious event, the painting suggests themes of revelation, faith, and the transmission of knowledge. The act of writing implies the recording and preservation of this momentous occasion for posterity. The discarded key might symbolize access to understanding or perhaps the relinquishing of earthly authority in favor of divine guidance. The overall effect is one of profound spiritual significance, conveyed through a carefully orchestrated arrangement of figures, light, and symbolic objects.