Part 1 Prado museum – Leonardo, Jusepe -- El martirio de San Sebastián
1637, 192 cm x 58 cm, Lienzo, Lienzo.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
A beam of intense light emanates from above, illuminating the figure and creating a dramatic chiaroscuro effect that emphasizes the physicality of the scene. This light source also highlights the numerous small holes visible across the torso, indicating prior trauma – likely inflicted by arrows – that have since healed, leaving behind a network of scars.
Several figures are positioned around the central subject. One is partially obscured in shadow to the left, appearing to observe or perhaps participate in the event. Another figure stands behind and slightly above the main subject, seemingly overseeing the scene. Their faces remain largely indistinct, contributing to an atmosphere of detachment and solemnity.
The ground beneath the bound individual is littered with discarded objects – a helmet, a sword, and other items – suggesting a recent conflict or struggle. The overall palette is muted, relying on earth tones and shadows to create a somber mood.
Beyond the immediate depiction of physical suffering, the painting evokes themes of faith, endurance, and sacrifice. The upward gaze of the central figure implies a spiritual dimension to his ordeal, while the presence of the other figures introduces questions about responsibility and witness. The discarded weaponry hints at a rejection of worldly power in favor of a higher calling. The composition’s verticality reinforces the sense of ascent – a journey from earthly suffering towards something beyond.