Part 1 Prado museum – Cignaroli, Giambettino -- La Virgen con el Niño Jesús y varios santos
1759, 317,5 cm x 173 cm, Lienzo, Óleo.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Flanking this central pair are several individuals identified as saints or holy figures through their attire and gestures. One figure, dressed in a brown habit with a rope belt, stands prominently on the right, his posture conveying reverence and devotion. Another, clad in elaborate robes, is positioned to the left, seemingly presenting something towards the woman and child. A winged figure, presumably an angel, hovers nearby, adding to the ethereal quality of the scene.
Below the altar, a reclining figure in red appears to be gazing upwards with an expression of awe or supplication. This placement suggests a narrative element – perhaps a moment of revelation or divine encounter. The inclusion of this figure contributes to the paintings overall sense of drama and spiritual significance.
The artist employs a dramatic use of light and shadow, known as chiaroscuro, to highlight key figures and create depth within the composition. Light falls primarily on the central group, drawing the viewer’s eye towards them while leaving the surrounding areas in relative darkness. This technique enhances the sense of otherworldliness and emphasizes the sacred nature of the depicted event.
The architectural setting, with its classical columns and ornate details, evokes a sense of grandeur and timelessness. The blue fabric worn by the central figure is symbolic of her purity and divine status. The overall effect is one of profound religious devotion, inviting contemplation on themes of faith, motherhood, and divine grace.