Part 1 Prado museum – Goya y Lucientes, Francisco de -- La Inmaculada Concepción
1784, 80 cm x 41 cm, Lienzo, Óleo. Francisco de Goya y Lucientes
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
COMMENTS: 1 Ответы
Это всё Гойя!
You cannot comment Why?
Above the figure, within the radiant light, appears an older male presence surrounded by what seems to be a triangular halo or architectural structure. This upper portion is less sharply defined, contributing to an overall impression of ethereal transcendence. The clouds swirling around the globe and enveloping the scene further enhance this sense of otherworldly grace.
The artist’s use of color contributes significantly to the paintings effect. The stark contrast between the white gown, the blue mantle, and the golden light creates a visual hierarchy that draws attention to the central figure. The soft gradations in the cloud formations suggest depth and movement, while the warm tones used for the cherubic figures impart a sense of joy and innocence.
Beyond the straightforward depiction of religious iconography, there are subtle nuances at play. The globe upon which the woman stands can be interpreted as representing her dominion over the world, or perhaps more symbolically, her role within the cosmic order. The cherubs’ playful interaction with the sphere introduces an element of earthly delight into a scene otherwise dominated by solemn piety. The indistinctness of the figure above hints at the ineffable nature of divine presence, suggesting that it transcends human comprehension and representation. Overall, the painting conveys a powerful message of faith, purity, and divine grace, while simultaneously employing artistic techniques to create an atmosphere of profound spiritual significance.