Part 1 Prado museum – Flipart, Charles Joseph -- Rendición de Sevilla al rey San Fernando
Segunda mitad del siglo XVIII, 72 cm x 56 cm, Lienzo, Óleo.
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Below him, a group of figures prostrates themselves, their expressions conveying submission and humility. Their attire – a mix of simple robes and more elaborate garments – hints at varying degrees of status within the defeated population. A lion lies near the foreground, seemingly subdued, perhaps symbolizing conquered power or dominion.
The background is layered with detail. The city skyline rises in the distance, punctuated by a prominent tower that likely signifies a key landmark. Above this urban landscape, an angelic figure descends from the heavens, surrounded by cherubic figures. This celestial presence reinforces the notion of divine intervention and legitimizes the actions of the central figure. The angel’s gesture – pointing downwards – further emphasizes the importance of the event unfolding below.
The color palette is rich and dramatic, with a strong contrast between the bright reds and golds associated with the victorious figure and the muted tones of the defeated populace. This visual distinction underscores the power dynamic at play.
Subtly embedded within this narrative are themes of religious justification for political conquest. The presence of the angel and cherubs elevates the event beyond mere military victory, portraying it as divinely ordained. The globe held by the kneeling man suggests a claim to dominion over territory, while the sword symbolizes the power necessary to enforce that claim. The overall effect is one of carefully constructed propaganda – a visual representation designed to legitimize authority and celebrate triumph through a combination of martial prowess and religious sanction.