Zurbarán, Francisco de – Fray Diego de Deza y Tavera, arzobispo de Sevilla Part 1 Prado museum

The composition presents a seated figure within a somber, dark environment. The individual is positioned slightly off-center, angled towards the viewer with a contemplative gaze. He wears elaborate ecclesiastical garments – a black cassock and white clerical robes – indicating his high status within the Church hierarchy. His hands rest gently on the armrests of an ornate chair, conveying a sense of authority and repose.
The artist has employed a restrained palette dominated by dark tones; the deep blacks and browns create a mood of solemnity and introspection. The limited use of color draws attention to the figures face and vestments, highlighting their importance within the scene. A vibrant red cloth drapes over the chair, providing a striking contrast against the darker hues and drawing the eye towards the central subject.
Several objects are arranged on a table beside him: several books stacked together, and a small bell. These items suggest erudition, religious practice, and perhaps administrative duties. The presence of these symbolic elements reinforces the individuals role as a learned and influential figure.
Above the man, an inscription is visible, rendered in Latin script. Its placement suggests it’s meant to identify him or offer a commentary on his character. A coat of arms is displayed alongside the text, further emphasizing his noble lineage and official position.
The lighting is dramatic, with a strong light source illuminating the figures face and upper body while leaving much of the background in shadow. This technique creates depth and emphasizes the subject’s presence, isolating him from the surrounding darkness. The overall effect is one of dignified solemnity, portraying an individual of considerable religious and secular importance.