Part 1 Prado museum – Tiziano, Vecellio di Gregorio -- Autorretrato
1562, 86 cm x 65 cm, Lienzo, Óleo. Vecellio di Gregorio Tiziano
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The man wears a dark, heavy garment layered over what appears to be a lighter shirt or collar. A delicate chain is visible at his neck, hinting at status or perhaps a personal significance beyond mere adornment. His hands are clasped in front of him, one holding a brush – a clear indication of the subject’s profession as an artist. The brush isnt actively used; it rests passively within his grasp, suggesting reflection rather than immediate action.
The gaze is directed slightly downwards and to the side, avoiding direct eye contact with the viewer. This gesture conveys modesty and perhaps a degree of self-awareness, preventing any sense of arrogance or boastfulness. The overall composition is tightly framed, focusing attention entirely on the subject’s personage and conveying an air of quiet dignity.
Subtly, the painting speaks to themes of aging, artistic legacy, and personal reflection. The artists choice to depict himself in this manner – older, weathered, yet still holding the tools of his trade – suggests a contemplation on his career and place within the history of art. The darkness enveloping him could be interpreted as symbolic of the challenges and uncertainties inherent in creative endeavor or simply as an aesthetic device to highlight the subject’s presence. Ultimately, this is not merely a likeness but a carefully constructed representation of a man confronting his own mortality and artistic identity.