Part 1 Prado museum – Reni, Guido -- Virgen de la silla
1624 1625, 213,8 cm x 137,5 cm, Lienzo, Óleo. Guido Reni
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The child, seemingly nude save for a ribbon tied around his waist, engages directly with the viewer, exhibiting an open, almost playful demeanor. Above them, two winged figures hover, one of whom is actively presenting a crown suspended by a cord. The positioning and lighting emphasize their ethereal nature, suggesting a celestial presence.
The artist employed a restrained palette dominated by red, blue, and flesh tones, with the dark background serving to heighten the luminosity of the central figures. The use of chiaroscuro – the dramatic interplay of light and shadow – adds depth and volume to the forms, particularly noticeable in the folds of the mantle and the contours of the child’s body.
Subtleties within the painting suggest layers of meaning beyond a simple depiction of motherhood. The presence of the crown, offered by the angelic figures, hints at themes of royalty and divine authority. The book or fan held by the woman may symbolize knowledge, virtue, or perhaps a contemplative life. The child’s direct gaze establishes an immediate connection with the audience, inviting them into this sacred moment.
The overall effect is one of solemn dignity and serene grace, conveying a sense of profound spiritual significance. The arrangement of figures and their gestures contribute to a feeling of reverence and quiet power.