Part 1 Prado museum – Anónimo (Copia Goyen, Jan Josefsz. van) -- Paisaje
Siglo XVII, 38 cm x 58 cm, Lienzo, Óleo.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The light source appears to be diffused, filtering through a cloudy sky that occupies much of the upper portion of the composition. This creates a soft, even illumination across the scene, minimizing harsh contrasts and contributing to the overall melancholic atmosphere. The clouds themselves are not sharply defined; they blend into one another, evoking a feeling of atmospheric instability or perhaps quiet contemplation.
A small, indistinct figure is visible near the base of the trees on the right side of the painting. Its presence is minimal, almost swallowed by the surrounding vegetation, suggesting a sense of solitude and insignificance within the grandeur of nature. The figure’s scale reinforces this impression; it appears as a mere speck in comparison to the expansive landscape.
The artist employed a technique that prioritizes tonal variation over precise detail. This approach lends itself to an impressionistic rendering of the scene, where forms are suggested rather than explicitly defined. The earth tones prevalent throughout the painting contribute to a feeling of groundedness and permanence, while the cloudy sky introduces an element of transience.
Subtly, there is a sense of enclosure created by the dense trees in the middle ground. This contrasts with the open expanse visible on the horizon, creating a visual tension between confinement and freedom. The painting does not offer a narrative; instead, it seems to invite quiet observation and reflection upon the relationship between humanity and the natural world. It evokes a mood of introspection, suggesting a moment suspended outside of time.