Roerich N.K. – The Descent into Hell # 23
1933. Tempera on canvas. 61 x 50 in the light; 68 x 75 cm.
Location: The State Museum of Oriental Art, Moscow (Государственный музей искусства народов Востока).
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Below this figure lies a tumultuous landscape of fiery reds and deep purples. The lower portion of the composition is populated by numerous grotesque figures – demonic entities seemingly writhing within an infernal blaze. Their faces are distorted into expressions of anguish or malice, marked by sharp teeth and exaggerated features. These forms appear to emerge from a swirling vortex of color, creating a sense of overwhelming movement and unrestrained energy.
The artist employed a flattened perspective, minimizing depth and contributing to the image’s symbolic nature rather than its realistic representation. The limited palette reinforces this effect; the intense reds and purples evoke feelings of dread and suffering, while the golden light surrounding the upper figure offers a stark contrast – a potential promise of redemption or salvation.
The arrangement suggests a hierarchical structure: the elevated figure appears to be observing, perhaps intervening in, the chaos below. The subtext hints at a narrative of deliverance or judgment; the luminous presence seems to hold dominion over the tormented figures, though whether this is benevolent or punitive remains ambiguous. The overall effect is one of profound psychological tension – a visual representation of an internal struggle between opposing forces.