Roerich N.K. – Sketch for the painting "Cave of Milarepa"
1933 or 1931-1934. Gouache on paper. 16.5 x 25 in light; 31 x 40 cm.
Location: The State Museum of Oriental Art, Moscow (Государственный музей искусства народов Востока).
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Here we see a layered composition. In the foreground, a rough, uneven ground rises towards the middle distance, populated with scattered rocks and debris. The artist’s use of short, choppy strokes creates texture and conveys a sense of untamed wilderness. Behind this initial plane, a series of ridges ascend further into the background, culminating in snow-capped peaks that recede into a hazy sky. These distant mountains are rendered with softer lines and paler hues, creating an illusion of depth and vastness.
The absence of any human presence is significant. The landscape appears entirely devoid of life, reinforcing the impression of isolation and solitude. This lack of scale markers further emphasizes the immensity of the natural environment.
Subtly, a sense of enclosure emerges from the composition. The steep slopes and towering peaks seem to press in on the viewer, creating a feeling of being contained within this formidable space. The signature at the bottom left corner, though small, anchors the work and suggests an intimate connection between the artist and the depicted location – a personal encounter with a place of profound significance.
The drawing’s overall effect is one of quiet contemplation and reverence for natures power. It evokes a sense of spiritual withdrawal, hinting at a search for solitude and transcendence within a challenging environment.