Thang # 132 Tanggula Pass (Clean mountain snows) Roerich N.K. (Part 4)

The artwork presents a landscape dominated by towering mountains, rendered in a restrained palette of blues, whites, and subtle greys. Here we see a vast expanse of snow-capped peaks receding into the distance, their forms softened by atmospheric perspective. The artist employed loose brushstrokes to capture the texture of the snow and rock faces, creating a sense of immediacy and spontaneity.
The composition is structured around a strong horizontal axis defined by the mountain range. A band of deeper blue occupies the lower portion of the canvas, suggesting either shadow or a distant valley floor. This darker area contrasts with the brighter, more luminous peaks above, enhancing their perceived height and grandeur. The sky itself appears as a pale wash, blending seamlessly into the snow-covered slopes, further emphasizing the scale and isolation of the scene.
The absence of any human presence or signs of civilization contributes to an overall feeling of solitude and immensity. This reinforces the impression of a remote, untouched wilderness. The subdued color scheme evokes a sense of coldness and stillness, while the delicate brushwork suggests a quiet reverence for the natural world. One might interpret this as a meditation on the power and beauty of nature, or perhaps a reflection on human insignificance in the face of such monumental landscapes.
The painting’s simplicity lends itself to multiple interpretations; it could be read as an exploration of light and shadow, a study of geological forms, or a symbolic representation of spiritual transcendence. The artists focus remains firmly on capturing the essence of this particular place – a high-altitude pass characterized by pristine snows – rather than conveying a specific narrative.