Roerich N.K. – Glacier - Lahul # 202
1935 (1936?). Tempera on cardboard. 30.9 x 45.8 cm.
Location: State Russian Museum, St. Petersburg (Государственный Русский Музей).
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The sky occupies a significant portion of the canvas, painted in muted yellow tones which contrast sharply with the cool blues of the mountains. These patches of yellow appear almost as isolated blocks of color rather than forming a cohesive atmospheric representation. This deliberate fragmentation contributes to the overall feeling of abstraction. The application of paint is textured; brushstrokes are visible and contribute to a sense of roughness, preventing the scene from appearing overly polished or idealized.
The foreground is largely obscured by darkness, which serves to emphasize the imposing scale of the mountains and isolates them visually. Theres an absence of human presence or any indication of habitation, reinforcing the feeling of vastness and remoteness. The perspective is flattened; depth isn’t created through traditional techniques like atmospheric haze or diminishing size. Instead, it’s suggested by the layering of the peaks and the tonal shifts in blue.
Subtextually, the work seems to explore themes of isolation, grandeur, and perhaps even a sense of melancholy. The stark color choices and simplified forms evoke a feeling of detachment from nature, as if observing it through a filter or memory. The limited palette could be interpreted as symbolic of the harshness of the environment, while the absence of human elements underscores its indifference to human concerns. The painting doesn’t attempt to capture a realistic representation; rather, it conveys an emotional response to the landscape – a feeling of awe mixed with a sense of solitude and perhaps even vulnerability in the face of such immense natural power.