Roerich N.K. – Citadel in the Himalayas (ESC.) # 18 (Chiktan citadel in the Himalayas)
1933. Paper on cardboard, tempera. 25 x 36.5 cm.
Location: Latvian National Museum of Art, Riga (Latvijas Nacionālais mākslas muzejs).
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The artist has employed a limited palette of colors: predominantly blues, oranges, and browns. The sky is rendered in varying shades of blue, creating a sense of vastness and distance. The citadel itself displays a range of orange hues, likely intended to represent sunlight or the color of the stone from which it’s built. The surrounding terrain is painted with earthy browns and purples, contributing to an overall feeling of aridity and isolation.
The application of paint appears deliberate and somewhat stylized; outlines are clear and defined, and theres a lack of subtle blending or gradations in color. This approach lends the scene a graphic quality, almost resembling a simplified architectural study rather than a purely representational depiction. The absence of human figures contributes to an atmosphere of quiet grandeur and timelessness.
Subtexts within the painting might relate to themes of power, resilience, and isolation. The fortress’s imposing presence suggests authority and control over its surroundings. Its location on such a precarious peak implies a deliberate choice for defense and security. The starkness of the landscape and the absence of human activity evoke a sense of solitude and perhaps even melancholy. It is possible to interpret this as an exploration of humanitys relationship with nature, or a meditation on the enduring strength of structures built to withstand time and adversity.