Roerich N.K. – Himalayas album leaf (4)
1934. Tempera on paper. 25.3 x 36.4 cm.
Location: Nicholas Roerich Museum of the United States. New York
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The artist’s technique emphasizes fluidity and an absence of sharp lines. The mountains are not precisely defined; instead, they appear as masses of color blending into one another. This contributes to a feeling of etherealness and remoteness, evoking the vast scale and challenging conditions associated with high-altitude environments. The limited palette – primarily blues and peach tones – enhances this sense of tranquility and isolation.
The use of layering suggests not only physical distance but also perhaps a metaphorical progression or journey. One might interpret the receding mountains as representing an aspiration towards something distant, unattainable, or difficult to grasp. The hazy atmosphere could symbolize uncertainty, mystery, or the limitations of human perception when confronted with overwhelming natural forces. The overall effect is one of quiet contemplation and reverence for the sublime power of nature.
The signature in the lower right corner appears small and understated, further emphasizing the dominance of the landscape over any individual presence.