Joseph Nickolls – Charing Cross, with the Statue of King Charles I and Northumberland House
c.1750. 89×128. oil on canvas
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
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The statue itself is positioned atop an elaborate pedestal surrounded by what appears to be a fountain or basin. The figure on horseback, presumably a monarch, commands attention through size and central placement. The surrounding activity – people walking, carriages passing – implies a public space of considerable importance. A sense of movement pervades the scene; figures are engaged in various activities, contributing to the overall impression of a vibrant, active urban life.
The artist’s use of light is noteworthy. While the sky displays a muted palette of pink and grey hues, suggesting an overcast day, the buildings are illuminated with a warm glow, creating a contrast that emphasizes their solidity and presence. The foreground is cast in shadow, which subtly directs the viewers gaze towards the central statue and the brightly lit architecture beyond.
Subtly embedded within this depiction of urban life are hints of social hierarchy. The quality of clothing worn by individuals suggests varying degrees of wealth and status. The presence of guards or attendants near the statue reinforces its symbolic significance, implying a connection to power and authority.
The painting’s overall effect is one of ordered prosperity. It conveys an image of London as a thriving commercial hub, simultaneously celebrating civic pride and hinting at the complexities of social structure within that environment. The meticulous rendering of architectural details suggests a desire to document not only a specific location but also a particular moment in time – a snapshot of urban life during a period of growth and change.