#15066 Pavel Filonov (1883-1941)

The drawing presents a scene centered around two male figures engaged in what appears to be a shared moment of leisure or conversation. They are seated at a table laden with objects associated with hospitality and domesticity: a samovar, cups, saucers, and an assortment of small dishes. The composition is structured around these elements, which dominate the central space.
The artist’s style employs a fragmented approach to representation. Faces and forms are rendered in a manner that suggests multiple perspectives simultaneously, characteristic of Cubist tendencies. This fracturing extends to the background, which is composed of geometric shapes – primarily squares and rectangles – creating a sense of spatial ambiguity and visual dynamism. The use of hatching and cross-hatching contributes to the tonal range, defining form through variations in line density.
The two men are depicted with distinct facial features; one possesses a more pronounced brow and a slightly downturned mouth, conveying an impression of seriousness or perhaps melancholy. The other man’s expression is less defined but seems to suggest attentiveness. Their direct gazes towards the viewer establish a connection, inviting observation and potentially prompting reflection on their interaction.
The presence of the samovar, a traditional Russian symbol of hospitality and communal gathering, introduces a layer of cultural significance. It suggests a setting steeped in tradition and shared experience. The arrangement of objects on the table – the cups, saucers, and small plates – implies an offering or sharing of sustenance, reinforcing this theme of conviviality.
Beyond the immediate depiction of a social encounter, the drawing’s fragmented style and geometric background may allude to broader themes of societal disruption or the deconstruction of traditional values. The sharp angles and fractured forms could symbolize a sense of unease or instability underlying the seemingly tranquil scene. The overall effect is one of quiet contemplation, prompting consideration of both the personal connection between the figures and the larger cultural context in which they exist.