Pomps and Vanities John Collier (1850-1934)

The composition presents a female figure in a moment of transition, seemingly caught between performance and privacy. She stands with her back predominantly facing the viewer, engaged in the act of adjusting a green turban atop her head. The exposed skin of her upper back and shoulders contrasts sharply with the dark velvet skirt she wears, creating a visual tension that draws attention to both vulnerability and poise.
The setting appears to be a dressing room or backstage area, suggested by the profusion of discarded costumes strewn at her feet. These garments are richly decorated – gold brocades, vibrant reds, and intricate patterns dominate – hinting at a theatrical context, perhaps a stage performance involving elaborate attire. The sheer volume of fabric implies a world of spectacle and artifice.
Behind the figure, an ornate screen serves as a backdrop. Its design is complex, incorporating stylized floral motifs and what appear to be depictions of figures in traditional dress. This screen introduces elements of Eastern aesthetics, possibly referencing exotic locales or cultural representations common in theatrical productions of the period. The color palette here – greens, blues, reds, and golds – echoes the richness of the costumes, reinforcing the theme of opulence.
The lighting is carefully orchestrated to highlight certain areas while leaving others in shadow. The figure’s back is illuminated, emphasizing her form, while the surrounding space recedes into a darker obscurity. This selective illumination contributes to an atmosphere of intimacy and secrecy.
Subtly, the painting explores themes of identity and performance. The womans gesture – adjusting her headwear – suggests a ritualistic preparation for a role, but also a moment of self-reflection or perhaps even discomfort with the persona she is about to embody. The discarded costumes symbolize the transient nature of appearances and the potential disconnect between public image and private self. There’s an underlying sense of melancholy conveyed by the scene; it speaks to the fleeting nature of beauty, fame, and the elaborate constructions we build around ourselves.