John James Stewart Perowne (1823–1904), Bishop of Worcester John Collier (1850-1934)

The portrait presents a man seated in a substantial chair, positioned centrally within the composition. He is depicted from the chest upwards, facing slightly towards the viewers left. The background is dark and indistinct, suggesting a formal interior space – perhaps a study or library – and serving to emphasize the subject’s presence.
Here we see an individual of advanced age; his skin exhibits a pallor accentuated by the lighting, and fine lines are visible around his eyes and mouth. His hair is predominantly white, neatly styled with a receding hairline. A carefully maintained beard frames his face, contributing to an overall impression of dignified composure.
The man’s attire immediately signals his position within a hierarchical structure. He wears ecclesiastical robes: a flowing white alb beneath a black episcopal gown edged with crimson trim. The sleeves are gathered at the wrists with elaborate ruffles, and a red stole is draped across his shoulders. A ring adorns his right hand, a subtle indication of status and authority.
The artist has employed a restrained palette dominated by whites, blacks, reds, and muted browns. Light falls primarily on the subject’s face and hands, creating a sense of depth and highlighting key features. The brushwork appears smooth and controlled, characteristic of academic portraiture.
Subtleties in expression suggest an individual who is both thoughtful and resolute. His gaze is direct but not confrontational; it conveys intelligence and perhaps a degree of weariness accumulated through years of responsibility. The posture – relaxed yet upright – implies authority tempered by humility. The overall effect is one of quiet gravitas, intended to convey the subject’s moral standing and position within his community. The painting aims to portray an individual of considerable influence and spiritual weight, projecting an image of wisdom and steadfastness.