Carl Erik Wadenstierna (1723-1807) Niclas Lafrensen (1737-1807)

The miniature portrait presents a gentleman seated in what appears to be a chair, rendered within an oval frame with a gilded border. The subject is depicted from the chest upwards, turned slightly towards the viewers left. He wears a meticulously detailed blue coat, buttoned at the front and featuring elaborate cuffs adorned with small white buttons. Beneath the coat, a lace jabot spills out from beneath his collar, suggesting an attention to fashionable dress of the period. His powdered wig is styled in a manner characteristic of the 18th century, with curls framing his face.
The man holds open a book in his hands, positioned close to his body. The book’s cover appears dark brown or reddish-brown, and its pages are slightly yellowed, hinting at age and perhaps scholarly pursuits. His gaze is directed off to the left, conveying an air of contemplation or engagement with something beyond the immediate frame.
The artist has employed a muted palette dominated by blues, browns, and creams, creating a sense of quiet dignity. The lighting is soft and diffused, highlighting the contours of his face and emphasizing the texture of his clothing. There’s a subtle blurring in the background, which serves to focus attention on the subjects features and attire.
Subtly, the inclusion of the book suggests intellectualism or literacy – attributes highly valued within the social hierarchies of the time. The posture, with the slight turn of the head and the contemplative gaze, implies a certain reserve and self-possession. The elaborate clothing signals his status and affluence. Overall, the portrait conveys an impression of a man of learning and standing, carefully presented for posterity. The miniature format itself suggests that this was likely intended as a personal keepsake or a diplomatic gift, rather than a public display.