Jacob Bogdani – Peacock, peahen, parrots, canary, and other birds in a park
1708~1710. 167×137
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
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The artist has employed a pyramidal structure to organize the arrangement; the peacock and peahen form the base, while the cluster of birds around the tree trunk creates an apex that draws the eye upwards. The foliage is dense and detailed, suggesting a carefully cultivated garden rather than a wild environment. A glimpse of architectural elements – a formal garden with hedges and statuary – is visible in the background, hinting at human intervention and control over nature.
The inclusion of such a variety of birds, many of which would have been exotic or expensive to keep during the period this work likely originates from, suggests themes of wealth, status, and an appreciation for natural beauty. The peacock, traditionally associated with vanity and pride, is positioned centrally, potentially serving as a symbolic representation of these qualities. However, the presence of other birds – the humble canary alongside the flamboyant parrot – introduces a note of complexity. It could be interpreted as a commentary on the diversity within creation or perhaps a subtle critique of excessive displays of wealth.
The light source appears to originate from above and slightly to the left, illuminating certain areas while leaving others in shadow. This creates depth and highlights the textures of the birds feathers and the foliage. The overall effect is one of controlled abundance – a carefully orchestrated display of nature’s beauty within a refined setting.