Gaudenzio Botti – Still life
~1760
Location: Academy Carrara (Accademia Carrara), Bergamo.
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A large barrel dominates the upper portion of the arrangement, its dark surface reflecting the ambient light. Suspended above are strings of what appear to be dried meats or sausages, alongside a collection of other hanging items – a leather pouch and a metal container – all secured by chains and hooks affixed to the unseen wall behind the shelf. The density of these suspended objects creates a sense of abundance but also suggests a degree of disarray.
Below the barrel, a smaller wooden cask sits next to a cluster of what seem to be children’s shoes or boots, their worn appearance hinting at use and perhaps poverty. A small woven basket occupies the lower right corner, its contents obscured by shadow. To the left, a bucket and a shovel rest against a miniature wooden structure resembling a building with a visible window; this element introduces an unexpected architectural component into what would otherwise be a purely domestic scene.
The overall effect is one of quiet realism. The objects are not idealized or romanticized; instead, they are presented in their functional state, suggesting a life lived close to the earth and reliant on simple sustenance. The inclusion of children’s shoes might imply familial presence or evoke themes of childhood and vulnerability within this context. The miniature building could be interpreted as a symbol of aspiration or perhaps a commentary on the relationship between the domestic sphere and the wider world.
The paintings subtexts likely revolve around themes of everyday life, sustenance, labor, and possibly even mortality – the dried meats and worn objects serving as reminders of transience and the passage of time. The artist’s deliberate avoidance of bright colors and grand gestures reinforces a sense of humility and groundedness.