Sir Frank Bernard Dicksee – Sea and Sunshine, Lyme Regis
1919, 34.3x53.3 cm, oil on board
Location: Private Collection
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The cliff face itself is depicted as layered and textured, suggesting geological time and erosion. The artist employed loose brushstrokes to convey a sense of natural irregularity rather than precise detail. These cliffs extend into the middle ground, receding towards the horizon where they merge with a hazy atmosphere. This atmospheric perspective diminishes their size and sharpness, contributing to the feeling of vastness.
The sea occupies a significant portion of the canvas. Its surface is not rendered as smooth or static; instead, it appears animated by subtle shifts in color and texture, hinting at movement and depth. The artist used varying shades of blue – from deep indigo near the foreground to lighter turquoise further out – to suggest changes in water depth and light reflection.
Several white shapes, likely seagulls, are scattered across the sky and above the waters surface, adding a sense of life and scale to the scene. They appear as fleeting marks, almost dissolving into the atmospheric haze. The sky itself is layered with clouds, painted in muted tones that diffuse the sunlight and create a soft, diffused illumination throughout the composition.
The painting evokes a feeling of tranquility and contemplation. It’s not merely a depiction of a landscape but an exploration of light, color, and atmosphere. The absence of human presence reinforces the sense of natures dominance and invites reflection on the power and beauty of the natural world. There is a subtle melancholy present in the muted palette and expansive view; it suggests a quiet solitude and a reverence for the enduring qualities of the landscape.