Bernat Martorell – Saint George and the Dragon
1434~35. 155×98 cm
Location: Art Institute, Chicago.
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Behind the central action, a woman stands passively observing the event unfold. She is dressed in flowing robes of pink and white, her posture conveying a sense of resignation rather than active participation. A walled city rises in the background, populated by figures who appear to be onlookers, their expressions unreadable from this distance. The architecture suggests a medieval setting, with towers and battlements rendered with considerable detail.
The color palette is dominated by cool tones – blues, greens, and whites – which contribute to an atmosphere of solemnity and grandeur. The white horse, in particular, stands out as a symbol of purity and righteousness. The artist employed meticulous attention to texture; the sheen of the armor, the softness of the fabrics, and the roughness of the dragon’s scales are all rendered with impressive skill.
Beyond the literal depiction of heroism and vanquishment, the painting seems to explore themes of divine intervention and sacrifice. The womans presence introduces a layer of complexity – she may represent innocence or virtue threatened by evil, awaiting rescue. The city in the background suggests a community dependent on the knight’s actions for their safety. The inclusion of skeletal remains serves as a stark reminder of mortality and the consequences of unchecked malevolence. Overall, the work conveys a narrative steeped in allegory, inviting contemplation on themes of good versus evil, faith, and the burden of responsibility.