Mosquitoes Leo & Diane Dillon

The composition presents a densely populated scene rendered in a style characterized by flattened planes and bold outlines, reminiscent of stained glass or woodcut prints. A predominantly warm color palette – ochre, russet, terracotta – dominates, punctuated by accents of pink and turquoise, all set against a stark black background that intensifies the visual impact.
Several animal figures are discernible within this arrangement. A long-necked creature, possibly inspired by a giraffe or heron, occupies the right side of the frame, its form extending diagonally across the canvas. Its head is adorned with what appears to be an elaborate headdress or crown constructed from geometric shapes. To the left, a figure resembling a goat or antelope stares directly forward, its large eyes and prominent teeth contributing to an expression that oscillates between curiosity and apprehension. A smaller, brown animal – perhaps a rabbit or rodent – is nestled near the center, partially obscured by other forms.
Scattered throughout are stylized representations of fish, their scales delineated with precise lines. These aquatic creatures seem almost incidental, integrated into the overall pattern rather than serving as central subjects. A human hand, rendered in a simplified manner, is positioned towards the lower portion of the image, its posture ambiguous – it could be offering or grasping something unseen.
The artist’s use of geometric shapes and overlapping forms creates a sense of visual complexity and ambiguity. The lack of traditional perspective flattens the space, contributing to an otherworldly atmosphere. Its difficult to establish a clear narrative; instead, the work seems to prioritize pattern and symbolic resonance over straightforward storytelling.
Subtexts within this painting might relate to themes of hierarchy and power – suggested by the headdress on the long-necked creature – and perhaps allude to a ritualistic or ceremonial context. The inclusion of diverse animal forms could symbolize interconnectedness, while the human hand introduces an element of agency or interaction. The overall effect is one of controlled chaos, where disparate elements are brought together in a visually arresting and enigmatic arrangement.