#37507 Ferdinand Hodler (1853-1918)

The drawing presents a frontal portrait of a woman, executed in a style characterized by expressive linework and a limited tonal range. The composition is vertically oriented, emphasizing the subjects direct gaze towards the viewer. Here we see a figure rendered with a stark simplicity; details are minimized, focusing instead on conveying an impression through the density and directionality of the lines.
The woman’s hair is depicted as a dense tangle of curls framing her face, meticulously drawn to create a sense of volume and texture. These swirling lines contrast with the smoother planes of her skin, which are suggested rather than fully defined. The eyes are particularly striking; they possess an intensity achieved through the use of dark, concentrated marks that give them a penetrating quality. The mouth is rendered with a subtle curve, hinting at a quiet composure or perhaps a restrained emotion.
A faint indication of clothing appears around the neckline, suggesting a simple garment without elaborate ornamentation. The background remains largely unadorned, allowing the viewers attention to remain fixed on the subject’s face. The artist has employed a technique that prioritizes line over shading, creating an almost graphic quality.
Subtly, there is a sense of psychological depth conveyed through the woman’s expression. The directness of her gaze and the slight asymmetry in her features – noticeable in the subtle differences between the eyes – suggest a complexity beyond a superficial likeness. The drawing might be interpreted as an exploration of inner character rather than a mere representation of physical appearance. The lack of overt sentimentality lends a certain dignity to the portrait, suggesting a quiet strength or resilience within the subject.

The signature at the bottom right corner indicates authorship, but its presence does not detract from the overall impact of the work; instead, it serves as a subtle marker of artistic intention.