Jean Dubuffet Anier 38812 1146 часть 3 -- European art Европейская живопись

The work presents a figure on horseback, rendered in a style that prioritizes texture and gestural mark-making over precise representation. The composition is dominated by earthy tones – ochre, brown, and muted grey – which contribute to a sense of antiquity or archaeological discovery. A wash of color forms the background, creating an uneven surface upon which the figure appears to be drawn with a thin, linear medium, possibly ink or graphite.
The rider’s posture is somewhat stiff and formal; he holds what seems to be a long object – perhaps a spear or staff – pointed upwards. The horse beneath him is similarly stylized, its anatomy simplified into essential lines and shapes. Theres an absence of detailed facial features on both the man and the animal, which lends them a generalized quality, suggesting archetypes rather than individual portraits.
The artist’s technique emphasizes spontaneity and immediacy. The lines are not clean or precise; they waver and overlap, creating a sense of movement and energy within the composition. This approach suggests an interest in the process of creation itself, valuing the raw mark-making over a polished final product.
Subtly, theres a feeling of ritual or ceremony evoked by the scene. The upright posture of both figures, combined with the archaic color palette and simplified forms, hints at a connection to historical narratives or folk traditions. It’s possible that the work alludes to themes of power, authority, or perhaps even a symbolic journey – though these interpretations remain open due to the ambiguity inherent in the artists style. The overall effect is one of understated monumentality, where the weight of history and tradition is conveyed through seemingly simple means.