Jean Dubuffet Site Inframental I 39279 1146 часть 3 -- European art Европейская живопись

The composition presents a dense field of gestural marks applied in red, white, and blue pigments. There is no discernible representational subject; instead, the work exists as an arrangement of energetic lines, strokes, and patches. The application technique appears spontaneous and unrefined, with visible brushwork and areas where the paint has been scraped or dragged across the surface.
The artist employed a variety of mark-making techniques. Thick impasto creates textural relief in certain sections, while thinner washes allow underlying layers to peek through. Some lines are bold and assertive, others hesitant and fragmented. The colors do not blend harmoniously; rather, they clash and interact, creating visual tension. Red dominates the central area, surrounded by a network of white and blue markings that seem to both contain and disrupt its presence.
The overall effect is one of controlled chaos. While seemingly random, theres an underlying rhythm established through repetition and variation in the marks. The absence of recognizable forms invites viewers to project their own interpretations onto the work. It suggests a process of excavation or uncovering – as if the artist were revealing layers of buried information or subconscious impulses.
The color palette evokes associations with national flags, yet these are subverted by the aggressive application and lack of formal structure. This could be interpreted as a commentary on established symbols and conventions, questioning their inherent meaning through deconstruction. The work seems to explore the materiality of paint itself, prioritizing the act of creation over any narrative or symbolic content. It is an investigation into the potential for abstract expression to convey raw emotion and visceral energy.