#36699 Francisco Bores

The composition presents a fragmented scene, rendered in a style characterized by geometric abstraction and flattened perspective. Here we see figures seemingly deconstructed and reassembled within a shallow pictorial space. The color palette is dominated by shades of pink, blue, red, and green, applied in broad planes that contribute to the overall sense of spatial ambiguity.
A central figure, possibly human, is discernible through its abstracted form. Its face appears as a series of angular shapes, with a prominent nose rendered in red. This figure’s posture suggests introspection or perhaps melancholy; the head is tilted downwards, and the body seems withdrawn into itself. To the left, a green plane intersects with the central figure, creating a visual separation while simultaneously suggesting an interaction.
The background is not depicted as a continuous space but rather as a series of overlapping planes in varying hues of pink and blue. These planes do not adhere to traditional perspective rules, contributing to the feeling of disorientation and challenging the viewer’s sense of depth. A dark, black shape appears at the top left corner, acting as a visual anchor while also adding to the overall sense of enclosure.
The arrangement of forms suggests a narrative, though it remains deliberately obscure. The fractured nature of the figures and their environment implies a disruption or fragmentation of experience. It is possible that the work explores themes of psychological isolation, emotional turmoil, or the breakdown of traditional representation. The deliberate lack of detail and the emphasis on geometric shapes invite contemplation rather than offering easy answers.
The artist’s choice to minimize naturalistic rendering encourages viewers to engage with the painting on a more conceptual level, focusing on the interplay of color, form, and spatial relationships. The works subtexts seem to revolve around the complexities of human emotion and perception, conveyed through an unconventional visual language.