Michiel van Mierevelt (Workshop) – Axel Oxenstierna af Södermöre (1583-1654), Count, Chancellor
1635.
Location: National Museum (Nationalmuseum), Stockholm.
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The man’s gaze is direct and unwavering, conveying a sense of intelligence and composure. The expression is not overtly emotional; rather, it suggests a quiet self-assurance and perhaps a hint of melancholy. He wears elaborate attire indicative of high social standing. A blue doublet, richly embroidered with gold detailing, forms the primary garment. A large, ornate lace collar, meticulously rendered to capture its intricate texture, adorns his neck, further signifying wealth and status. The fabric’s sheen suggests luxurious materials.
The lighting in the painting is carefully controlled; it illuminates the face and upper torso, drawing attention to these key areas while leaving the background shrouded in shadow. This technique serves to isolate the subject and enhance his presence within the frame. The artist has employed a chiaroscuro effect, using contrasts between light and dark to model the forms and create depth.
Subtly, theres an indication of armor beneath the doublet, visible at the shoulders and upper arms. This detail hints at a military background or involvement in matters of state security, adding another layer to his persona as a man of power and responsibility. The overall effect is one of dignified restraint; the subject appears not merely as an individual but as a symbol of authority and experience within a hierarchical society.