Sotheby’s – Maximilien Luce - Rolleboise, Barge on the Seine
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The river itself is rendered through short, broken brushstrokes that capture the play of light on the water’s surface. These strokes create an impression of movement and fluidity, conveying the constant shifting of reflections and ripples. The color palette for the water ranges from muted grays and blues to hints of green and yellow, suggesting a diffused natural light rather than direct sunlight.
Along the riverbank, a sloping hillside rises into the background. This area is densely populated with trees and foliage, depicted in varying shades of green that contribute to a sense of depth and distance. The artist employed a pointillist technique here, using small dots of color to build up form and texture. This method lends a vibrancy to the vegetation while simultaneously softening the overall effect.
A cluster of buildings is visible on the left bank, partially obscured by the foliage. Their presence hints at human habitation and activity within this rural setting. The scale of these structures relative to the barge and landscape suggests their integration into the natural environment rather than dominance over it.
The composition’s horizontal format reinforces the sense of expanse and tranquility associated with a river scene. The limited tonal range, primarily consisting of greens, grays, and browns, contributes to a subdued atmosphere. This palette evokes a feeling of quiet observation, suggesting that the artist sought to capture not just the visual appearance of the landscape but also its inherent mood.
Subtly, the painting conveys themes of industry and nature coexisting. The barge represents human labor and commerce, while the surrounding landscape embodies natural beauty and serenity. This juxtaposition invites contemplation on the relationship between humanity and the environment, a recurring concern in late nineteenth-century art.