Henri Lebasque – Young Woman on Blue Sofa, 1920 Sotheby’s

Here we observe a figure reclining upon a blue sofa, rendered in watercolor and pencil. The composition is dominated by the horizontal posture of the subject, who appears relaxed and at ease. A sense of languor pervades the scene; the womans body curves gently as she rests, her head turned slightly to one side.
The artist employed a loose, impressionistic technique. Brushstrokes are visible, contributing to a feeling of spontaneity and immediacy. The color palette is restrained, primarily consisting of blues, pinks, yellows, and creams. These hues blend softly, creating a muted atmosphere that reinforces the overall sense of tranquility. Light seems to emanate from within the figure, illuminating her form while leaving the surrounding space in shadow.
The sofa itself is not depicted with meticulous detail; instead, it serves as a backdrop for the subject’s repose. A pillow or cushion at the head of the sofa introduces a touch of warmth and softness, contrasting with the cool tones of the blue upholstery. The artists use of pencil outlines defines the contours of the body, while watercolor washes soften the edges, blurring the distinction between form and background.
Subtly, there’s an exploration of intimacy and domesticity. The setting suggests a private moment, a glimpse into a personal space. The woman’s relaxed posture implies trust and comfort, hinting at a sense of security within her surroundings. While the figure is nude, the presentation avoids any overt sensuality; instead, it emphasizes the beauty of the human form in a state of repose.
The work conveys an impression of quiet contemplation, inviting the viewer to share in this moment of peaceful solitude. The artist’s focus lies not on narrative or dramatic action, but rather on capturing a fleeting sensation – the essence of relaxation and contentment.