Lovis Corinth – Chrysanthemums and Roses in a Pitcher, 1917 Sotheby’s

The composition presents a still life arrangement centered around a dark ceramic pitcher filled with flowers. A profusion of chrysanthemums dominates the upper portion of the scene, their blooms rendered in varying shades of purple and pink, creating a sense of abundant growth. Beneath them, several roses are visible, their deep red hues providing a striking contrast to the cooler tones above. The stems and foliage are loosely depicted, contributing to an overall impression of natural vitality rather than precise botanical accuracy.
The pitcher itself is positioned slightly off-center, its form suggested through broad brushstrokes that emphasize texture and volume. A draped cloth serves as the base for the arrangement; its folds and shadows are painted with a similar expressive looseness, blurring the distinction between foreground and background. The color palette is largely muted, relying on earth tones – browns, grays, and ochres – to create a somber atmosphere. However, the vibrant colors of the flowers introduce moments of visual intensity that prevent the scene from becoming overly melancholic.
The artist’s technique reveals an interest in capturing fleeting impressions rather than meticulous detail. Brushwork is visible throughout, contributing to a sense of immediacy and spontaneity. The application of paint appears thick and impastoed in places, particularly on the flowers, which adds depth and physicality to their representation.
Subtly, theres a feeling of transience embedded within the work. The abundance of blooms suggests a peak season, while the drooping petals of some roses hint at decay and the passage of time. This juxtaposition of vitality and decline might be interpreted as a meditation on the ephemeral nature of beauty and life itself. The subdued color scheme and loose brushwork further reinforce this sense of quiet contemplation, inviting the viewer to consider themes of mortality and the cyclical rhythms of existence.