Gustav Graef – Patriotism in 1813, Ferdinande Schmettau sacrificed her hair for the Fatherland
c.1863. 98x125
Location: Old and New National Galleries, Museum Berggruen (Alte und Neue Nationalgalerie, Museum Berggruen), Berlin.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Around them are gathered several figures, their expressions ranging from respectful contemplation to overt emotion. An older woman in red displays visible distress, while others observe with varying degrees of solemnity and curiosity. A young boy, positioned near the right edge of the canvas, holds a small collection box, suggesting that this act is linked to charitable or patriotic fundraising. The presence of men – some dressed in formal attire – indicates an official or public aspect to the event, despite its intimate setting.
The room itself contributes significantly to the paintings meaning. The paneled walls and ornate furniture suggest a comfortable social standing, contrasting with the act of sacrifice being performed. A portrait hangs prominently on the wall behind the central figures, further reinforcing the sense of established lineage and societal importance. The placement of this portrait seems deliberate, implying that the woman’s actions are intended to uphold or reflect upon family honor and tradition.
Subtleties in the composition hint at deeper meanings beyond a simple display of patriotism. The act of cutting ones hair was traditionally associated with mourning or sacrifice, imbuing the gesture with symbolic weight. Here, it is presented as an offering – a tangible representation of personal loss for the greater good. The woman’s attire, while modest, is clean and well-made, suggesting a middle-class background. Her expression isnt one of overt suffering but rather of quiet determination, implying that her sacrifice is a conscious choice made with conviction.
The painting appears to be constructed around themes of civic duty, female virtue, and the emotional investment in national identity. The inclusion of the child with the collection box underscores the communal aspect of this patriotic display, suggesting that individual acts of sacrifice contribute to a larger collective effort. Ultimately, the work explores the intersection of personal devotion and public responsibility within a specific historical context.