Gottfried Wilhelm Volcker – Flower still life with fruit basket
1827. 53x65
Location: Old and New National Galleries, Museum Berggruen (Alte und Neue Nationalgalerie, Museum Berggruen), Berlin.
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A basket overflowing with grapes, peaches, and an ear of corn dominates the central space. The fruit appears ripe and heavy, their textures carefully observed – the smooth skin of the peach contrasts with the rough husk of the corn. This grouping is surrounded by a profusion of flowers in various stages of bloom. Roses, poppies, daisies, and passionflowers intertwine, creating a vibrant tapestry of color and form. The blossoms are not uniformly arranged; some droop gracefully, others stand erect, contributing to a sense of naturalness rather than rigid formality.
Two butterflies hover near the arrangement, their presence adding an element of fleeting beauty and suggesting a connection to the outdoors. Their delicate forms contrast with the substantial weight of the fruit and flowers, hinting at the ephemeral nature of life and beauty. The inclusion of passionflowers is particularly noteworthy; these blooms, often associated with religious symbolism (representing the Passion of Christ), introduce a layer of complexity beyond mere decorative appeal.
The color palette is dominated by warm tones – reds, oranges, yellows – balanced by cooler blues and purples in the flowers. This interplay creates visual depth and prevents the composition from feeling overly saturated. The artist’s skillful use of light highlights certain areas, drawing attention to the textures and forms while leaving other sections in shadow, contributing to a sense of three-dimensionality.
Beyond the purely aesthetic qualities, the painting seems to explore themes of abundance, transience, and perhaps even mortality. The ripeness of the fruit suggests prosperity and fulfillment, but their inevitable decay is implied by the presence of wilting petals and the overall awareness that beauty fades. The butterflies serve as a poignant reminder of this fleeting nature. Ultimately, the work invites contemplation on the cyclical processes of life, death, and renewal, all encapsulated within a seemingly simple still life.