A Sketch of Gratitude Crowned by Peace, with Other Allegorical Figures of Industry, Fame and Plenty James Thornhill (1675-1734)

The composition presents a complex arrangement of figures within a cloudy, ethereal space. A central female figure, presumably embodying Peace, is seated upon what appears to be a cornucopia overflowing with fruits and foliage. Her posture suggests serenity and authority; she holds her hand out in a gesture that could signify bestowal or blessing. Above her, a winged figure descends, holding a laurel wreath which seems destined for the head of Peace. This action implies recognition, honor, and perhaps victory achieved through peaceful means.
Surrounding this central grouping are several other figures, each seemingly representing abstract concepts. To the left, a male figure, likely Industry or Labor, is depicted with robust musculature and a pose suggesting exertion. He holds what appears to be a sheaf of wheat or grain, reinforcing the theme of productivity and abundance. On the right, another male figure, possibly Fame, gestures outward, as if proclaiming or celebrating something beyond the immediate scene.
Below Peace, several cherubic figures are arranged in a dynamic composition. Some appear to support the cornucopia, while others seem to be engaged in playful activities, contributing to an atmosphere of joyous celebration and prosperity. The lower portion of the painting is dominated by warm tones – oranges and yellows – which contrast with the cooler blues and whites used for Peace’s garments and the surrounding clouds. This color differentiation may serve to visually ground the scene while simultaneously elevating the central figures towards a more celestial realm.
The artist employs a loose, sketch-like technique, evident in the visible brushstrokes and lack of precise detail. This approach lends an immediacy and spontaneity to the work, suggesting it might be a preparatory study for a larger, more finished piece. The use of gold highlights throughout the composition adds a sense of grandeur and divine presence, further emphasizing the allegorical nature of the scene.
Subtly, theres a hierarchical arrangement at play. Peace is positioned as the focal point, receiving recognition from above and supported by the fruits of labor and the proclamation of fame. The overall impression suggests a celebration of societal virtues – peace, industry, fame, and abundance – and their interconnectedness in fostering prosperity and renown.