Roerich N.K. – Гималаи #65 Гималаи. Вершина в лиловом свете
1944. Cardboard, tempera. 31 x 46 cm.
Location: State Art Museum, Novosibirsk (Новосибирский государственный художественный музей).
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The artist employed a technique that softens the edges of the forms, creating an atmospheric haze around the peaks. This blurring contributes to a dreamlike quality, diminishing any sense of sharp realism. The light source appears to emanate from behind the mountains, bathing their upper reaches in a luminous lilac glow while leaving the lower portions shrouded in shadow. This creates a dramatic contrast and emphasizes the verticality of the scene.
The color choices are significant. The prevalence of purple suggests a mood of introspection or melancholy, while the pink tones introduce an element of ethereal beauty. These colors work together to evoke a feeling that transcends mere representation; it is not simply a depiction of mountains but rather an exploration of their emotional impact.
Subtly, theres a sense of isolation and grandeur. The absence of any human presence reinforces this impression, suggesting the overwhelming power of nature and the insignificance of humankind in comparison. The indistinctness of the forms also invites contemplation on the elusive nature of perception and memory; the mountains appear as if recalled from a distant dream or filtered through layers of time. Ultimately, the work seems to be less about documenting a specific location and more about conveying a feeling – a profound sense of awe mixed with quiet solitude.