Roerich N.K. – The Himalayas # 79 Harmony of the sky and mountains
1946. Cardboard, tempera. 21.0 x 30.8 cm.
Location: International N.K. Roerich’s Center-Museum, Moscow (Международный Центр-Музей им. Н.К. Рериха).
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The artist employed a distinctive technique; brushstrokes are visible and deliberate, contributing to a textured surface that avoids smooth realism. This approach emphasizes form over precise representation, suggesting an interest in capturing the essence or feeling of the scene rather than its photographic accuracy. The peaks themselves are angular and sharply defined, their surfaces catching light in patches of white and grey, hinting at snow cover and immense height.
The sky occupies a significant portion of the canvas, transitioning from a pale blue near the horizon to a slightly darker hue overhead. A large cloud formation is positioned on the right side of the composition, illuminated by an unseen light source. The cloud’s texture mirrors the rough application of paint seen elsewhere in the work, further unifying the visual elements.
The color palette is restrained, primarily utilizing blues, browns, and whites with subtle variations to suggest atmospheric perspective and tonal shifts. This limited range contributes to a sense of quiet contemplation and grandeur.
Subtly, theres an implication of human insignificance in the face of nature’s power. The mountains are not merely scenic elements; they represent formidable forces, dwarfing any potential human presence. The harmony suggested in the title isn’t one of easy coexistence but rather a recognition of the inherent tension between the immensity of the natural world and the fragility of existence within it. The painting evokes a feeling of awe and reverence for the sublime – a concept that emphasizes the overwhelming power and beauty of nature, often inspiring feelings of both wonder and fear.