Himalayas Roerich N.K. (Part 6)
Roerich N.K. – Himalayas | 166
1944. Tempera on cardboard. 30.5 x 45.7 cm.
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Location: The State Museum of Oriental Art, Moscow (Государственный музей искусства народов Востока).
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The foreground is characterized by a deep blue band, which acts as a visual anchor and emphasizes the sheer scale of the mountains rising above it. This dark hue contrasts sharply with the luminous white of the snow, creating a sense of dramatic relief. The artist’s brushwork appears deliberate, with visible strokes contributing to a textured surface that enhances the tactile quality of the depicted terrain.
A solitary cloud formation occupies the upper right quadrant. Its muted pinkish tones offer a delicate counterpoint to the cool blues and whites, introducing a subtle warmth into the otherwise frigid environment. The placement of this cloud is significant; it does not obscure the peaks but rather serves as an accentuating element, drawing the eye upward and reinforcing the vastness of the sky.
The painting evokes a feeling of awe and isolation. The absence of human presence underscores the power and indifference of nature. The simplified forms and flattened perspective suggest a symbolic representation rather than a strictly realistic depiction. One might interpret this work as an exploration of spiritual transcendence, with the mountains representing formidable obstacles or pathways to enlightenment. The subdued color scheme and austere composition contribute to a contemplative mood, inviting introspection on themes of scale, permanence, and the sublime.