Roerich N.K. – Baralacha # 49
1944. Tempera on cardboard. 30.5 x 46.0 cm.
Location: National Gallery for foreign art, Sofia (Национална галерия за чуждестранно изкуство).
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The mountains are not depicted with photographic realism; instead, they appear as simplified forms, delineated by crisp outlines and planes of color. The peaks are highlighted with white, suggesting snow or intense sunlight, while the lower slopes are rendered in varying shades of blue, creating depth and atmospheric perspective. This reduction to essential shapes contributes to a feeling of abstraction, moving beyond mere representation towards an evocation of mood and atmosphere.
The sky itself is a wash of pale blue, blending seamlessly with the distant mountains, further emphasizing the sense of limitless space. The horizon line is relatively low, allowing the sky to dominate the composition and contributing to the overall impression of vastness.
Subtly, there’s an underlying tension between the cool tranquility of the color scheme and the implied scale of the landscape. The simplification of forms and the flattened perspective suggest a deliberate distancing from direct observation, hinting at a more subjective or emotional response to the natural world. The signature in the lower right corner, rendered in red, provides a small point of contrast and human presence within this otherwise impersonal vista. It serves as a quiet acknowledgement of the artists role in interpreting and conveying this scene.