Lahul # 138 (mountains on the background of the golden sky) Roerich N.K. (Part 6)

The composition presents a landscape dominated by a range of mountains rising against a luminous sky. The artist has employed a restricted palette, primarily utilizing variations of gold, blue, and brown hues. A broad expanse of golden yellow fills the upper portion of the canvas, suggesting either sunrise or sunset; its intensity is somewhat muted, creating an atmosphere of quiet contemplation rather than dramatic spectacle.
The mountains themselves are rendered in layered planes of color. The foreground peaks display a reddish-brown tone, which gradually transitions to cooler blues and purples as they recede into the distance. This use of color creates a sense of depth and atmospheric perspective, though the lack of precise detail softens any sharp definition. The forms appear simplified, almost abstracted, prioritizing emotional impact over topographical accuracy.
A dark band runs along the lower edge of the painting, acting as a visual anchor and further emphasizing the height and scale of the mountains above. This area is devoid of discernible features, contributing to an overall feeling of isolation and vastness. The signature in the bottom right corner appears small and understated, reinforcing the focus on the landscape itself rather than the artist’s presence.
Subtly, the painting conveys a sense of spiritual yearning or reverence for nature. The simplified forms and muted colors evoke a mood of tranquility and introspection. The monumental scale of the mountains against the expansive sky suggests humanitys smallness in comparison to the grandeur of the natural world. There is an absence of human presence; this reinforces the feeling that the scene exists outside of human influence, untouched by civilization. Ultimately, the work seems less concerned with depicting a specific location and more focused on conveying a profound emotional response to the power and beauty of mountainous terrain.