Heinrich Mucke – The Body of Saint Catherine of Alexandria Borne to Heaven by Angels
1836. 97x147
Location: Old and New National Galleries, Museum Berggruen (Alte und Neue Nationalgalerie, Museum Berggruen), Berlin.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The angels themselves are rendered with considerable detail; their drapery flows dynamically, creating a sense of ethereal motion. The artist has employed a warm palette for their garments – reds and golds that catch the light and contribute to an overall impression of divine radiance. Their faces possess a serene beauty, marked by delicate features and expressions of gentle reverence. One angel holds what appears to be a musical instrument, possibly a lyre or harp, suggesting a celebratory atmosphere accompanying this ascent.
The central figure being carried is draped in white fabric, which contrasts sharply with the colors of the angels and draws immediate attention. The head rests upon the shoulder of one of the angels, conveying vulnerability and passivity. This posture suggests not triumph but rather surrender to a higher power; it’s an acceptance of fate rather than an active participation in the ascent.
The sky itself is rendered with subtle gradations of color, transitioning from a pale blue near the horizon to a lighter hue overhead. This creates depth and reinforces the sense of vastness associated with the heavens. The light source appears diffused, bathing the scene in a soft glow that minimizes harsh shadows and contributes to the overall feeling of tranquility.
Subtly, the painting explores themes of martyrdom, salvation, and divine intervention. The landscape below hints at earthly suffering or persecution, while the ascent signifies liberation and eternal reward. The angels act as intermediaries between the mortal realm and the divine, embodying grace and compassion. The composition’s emphasis on upward movement underscores a spiritual yearning – a desire to transcend the limitations of human existence and attain union with something greater. The overall effect is one of profound solemnity and hope, inviting contemplation on mortality and the promise of an afterlife.