Catherine II as legislatress in temple of goddess of justice Dmitry Levitsky (Levitzky) (1735-1822)

The composition presents a figure positioned centrally within what appears to be a monumental architectural setting. The woman is depicted in a flowing, pale yellow gown, accented by a vibrant orange sash that drapes across her body and cascades onto the floor. A jeweled headpiece adorns her hair, styled in an elaborate updo characteristic of the period. Her posture conveys authority; she stands with one hand extended forward, as if offering or presenting something, while the other rests on her hip.
The background is dominated by a grand interior space, suggestive of a temple or hall dedicated to justice. A large statue, likely representing Themis, goddess of law and order, looms behind the central figure. Its presence reinforces the theme of legal authority and governance. To the left, partially obscured by shadows, one can discern what seems to be a ship’s hull, hinting at maritime power and perhaps imperial expansion.
The lighting is carefully orchestrated; it highlights the womans face and gown, drawing attention to her status and emphasizing the luxurious texture of her attire. The use of chiaroscuro – the contrast between light and dark – creates depth and drama within the scene. The overall effect is one of deliberate grandeur and calculated symbolism.
Subtly embedded within this visual narrative are layers of meaning intended to legitimize power. The architectural setting, reminiscent of classical temples, associates the woman with ancient virtues like justice and wisdom. Her gesture, seemingly benevolent, suggests a role as a provider or benefactor. The inclusion of maritime elements implies dominion over both land and sea. The entire presentation functions as a visual proclamation of authority, designed to project an image of enlightened rule and divine sanction.