Portrait of Count Yakov Sievers Dmitry Levitsky (Levitzky) (1735-1822)

The composition presents a gentleman in a three-quarter pose against a dark, almost featureless background. The subjects face is centrally positioned and illuminated by a soft light that emphasizes his features while leaving much of the surrounding space in shadow. This creates a sense of depth and draws immediate attention to the individual depicted.
Here we see a man with a round face, rosy cheeks, and a somewhat fleshy build, suggesting affluence and ease. His expression is one of quiet contemplation; theres an absence of overt emotion, replaced by a certain gravity that might be interpreted as intelligence or perhaps even weariness. The hair is styled in the fashion of the late 18th century – powdered and arranged into curls at the sides with a queue extending from the back. This hairstyle alone signals his social standing and adherence to contemporary trends.
The man’s attire is meticulously rendered, showcasing an elaborate blue coat with gold embroidery along the lapels and cuffs. The fabric appears luxurious, likely velvet or a similar rich material. A delicate lace jabot adorns his neck, further emphasizing his status and refinement. In his hand, he holds what seems to be a walking stick, its handle partially obscured but hinting at an ornate design. This accessory suggests both leisure and authority – the ability to move freely while maintaining a position of power.
The artist’s use of color is restrained; the blue of the coat provides a focal point against the dark background, while the subtle gradations in skin tone create a sense of volume and realism. The brushwork appears relatively smooth, indicative of a desire for a polished and dignified representation.
Subtly, the painting conveys an impression of established wealth and social prominence. The man’s posture is relaxed but assured; he does not appear to be posing for display, but rather presenting himself as someone accustomed to being observed with respect. The darkness enveloping him suggests a certain privacy or perhaps even a sense of responsibility that accompanies his position. Overall, the work serves as a visual document of a specific social class and era, offering insights into the values and aesthetics of its time.