Portrait of Countess Ursula Mniszek Dmitry Levitsky (Levitzky) (1735-1822)

The portrait presents a young woman in a three-quarter pose against a dark, muted background. The oval format frames her figure, drawing immediate attention to her face and upper body. She is depicted with a serene expression, her gaze directed slightly off-center, suggesting an inward contemplation rather than direct engagement with the viewer.
The artist has rendered her skin tone with meticulous detail, capturing subtle variations in color and texture that convey a sense of delicate health and refinement. Her complexion appears pale, characteristic of aristocratic portraiture of the period, emphasizing her perceived purity and status. The soft lighting highlights the contours of her face, particularly around the eyes and mouth, contributing to an overall impression of gentle beauty.
Her elaborate hairstyle, piled high with voluminous curls and adorned with what appear to be ribbons or fabric, is a defining feature of the composition. This style was fashionable in the late 18th century and signifies her belonging to a privileged social class. The hair’s lightness contrasts sharply with the darker tones of her gown, further emphasizing its prominence.
The dress itself is crafted from a lustrous material – likely silk or satin – that drapes elegantly over her form. The neckline is low, revealing a glimpse of lace-trimmed chemise beneath, a detail intended to suggest modesty while simultaneously hinting at underlying sensuality. A pale blue sash is knotted loosely around her waist, adding a touch of color and visual interest to the composition.
The artist’s handling of light and shadow creates a sense of depth and volume, particularly noticeable in the folds of the fabric and the contours of her face. The brushwork appears smooth and controlled, indicative of a practiced hand aiming for an idealized representation rather than a strictly realistic depiction.
Subtly, theres a restrained elegance to the entire presentation. It’s not overtly flamboyant; instead, it conveys a sense of quiet dignity and composure. This restraint suggests that the portrait was intended to project an image of virtue and refinement – qualities highly valued in women of her social standing. The overall effect is one of understated grace and aristocratic poise.