#45933 Antoni Guanse

Here we see a composition dominated by abstract forms rendered in a muted palette of ochre, cream, grey, black, and touches of yellow and blue. The background is largely uniform, a warm, creamy tone that provides a neutral space for the more dynamic elements to occupy. This flatness contributes to an overall sense of detachment from representational reality.
The central focus lies within a cluster of shapes arranged in what appears to be a loosely defined vertical orientation. These forms are not easily identifiable as objects; instead, they suggest fragmented remnants or distorted impressions. A large, roughly rectangular shape sits at the top, its edges softened and blurred, creating an ambiguous sense of depth. Below this, a complex arrangement of curves, angles, and overlapping planes creates a visual density that draws the eye. The use of dark grey and black within these shapes introduces a feeling of weight and shadow, contrasting with the lighter tones surrounding them.
The artist employs a technique that emphasizes texture and brushstroke. The paint application is not smooth or blended; instead, it appears layered and somewhat rough, adding to the paintings tactile quality. This visible mark-making contributes to an impression of spontaneity and immediacy. A small circular form in yellow acts as a focal point within the darker central mass, providing a subtle contrast that draws attention.
The composition lacks a clear horizon line or spatial cues, further reinforcing its abstract nature. The absence of recognizable figures or landscapes invites viewers to engage with the work on a purely formal level, focusing on the interplay of shapes, colors, and textures. Theres an underlying tension between the stability suggested by the background and the dynamism of the central forms, creating a sense of unresolved energy within the piece.