Part 6 National Gallery UK – Salvator Rosa - Landscape with Tobias and the Angel
1660-73
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A stream flows across the middle ground, winding through a valley that recedes into the distance. Along the bank, two figures are positioned; one appears to be gesturing towards the other, while the second figure is clad in red garments and seems to be looking upwards. Their interaction remains ambiguous, hinting at a narrative without explicitly revealing it.
To the right of the stream, a steep rock face rises dramatically, punctuated by a small waterfall cascading down its surface. The rocks are painted with a dark, earthy palette, suggesting solidity and permanence. A dense thicket obscures much of the lower portion of this rocky outcrop, adding to the sense of wildness and impenetrability.
The sky is characterized by heavy, swirling clouds that create a palpable atmosphere of foreboding. Light breaks through in patches, illuminating sections of the landscape while leaving others shrouded in shadow. This interplay of light and dark contributes significantly to the painting’s overall dramatic effect.
Beyond the immediate foreground, the valley opens up into a broader vista, revealing distant hills and what appears to be a small settlement nestled within them. The muted tones of this background area create a sense of depth and vastness.
The work conveys a feeling of isolation and grandeur. The scale of the landscape dwarfs the human figures, emphasizing their vulnerability in the face of nature’s power. There is an underlying tension between serenity and threat; the beauty of the natural setting is juxtaposed with the ominous quality of the sky and the ruggedness of the terrain. This suggests a subtext concerning humanitys relationship to the divine or the unpredictable forces that govern existence. The narrative element, suggested by the figures, adds another layer of complexity, hinting at themes of guidance, protection, or perhaps even temptation within this wild environment.