John Joseph Hughes – Haytime Hamstead Mill Handsworth, Staffordshire
Location: Museums and Art Gallery, Birmingham.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
In the foreground, a group of figures are engaged in agricultural labor. A man, dressed in practical working attire, stands with his back partially turned towards the viewer, seemingly observing the activity around him. Nearby, several others appear to be resting or attending to their tasks amidst scattered tools and what seems to be a dog. The presence of oxen pulling a cart suggests the arduous nature of farm work, emphasizing the physical demands placed upon those who toil the land.
The middle ground is defined by a field of newly cut hay, stretching towards a cluster of trees that mark a slight elevation in the terrain. A stone bridge arches gracefully over what appears to be a stream or small river, providing a focal point within this section of the landscape. The foliage is rendered with loose brushstrokes, suggesting movement and vitality despite the overall subdued palette.
The background recedes into a hazy distance, where a line of trees meets the horizon. A faint suggestion of buildings can be discerned in the far distance, hinting at human settlement beyond the immediate agricultural scene. Above all this, the sky is rendered with swirling clouds, conveying a sense of impending weather or perhaps simply reflecting the emotional weight of the landscape.
Subtly embedded within the composition are themes of labor and rural life. The painting doesnt celebrate these activities in a romanticized way; instead, it offers an observation of their inherent difficulty and quiet dignity. There is a certain stillness to the scene, a sense of timelessness that transcends the specific moment depicted. The muted color scheme and diffused light contribute to this feeling, suggesting a contemplative mood rather than one of exuberant joy. The artist seems interested in capturing not just the visual appearance of the landscape but also its emotional resonance – a quiet testament to the rhythms of rural existence.